The photographic recording of the performance SORTIE FAUVE thus highlights the fragile border between civilisation and animality on the one hand, between the still and the moving picture on the other hand.
Like the extracts of a film shot statically and played in loop, those three images blur and upset the limits between visual genres.
Taking the shape of a visual phantasmagoria, this work contrasts the highly rigid framework of our civilization that is so car-ridden and stacks people on top of each other, with a feminine model, the latter showing the fiction of life wild and thwarted by this subterranean environment. Reflecting the real state, and the state as it still is, of woman’s role in modern societies.
Photo triptych, 2009
70 x 47 cm